Memory, Trauma, and Performance 2023

Diana Taylor


  • Introduction: Memory, Trauma, and Performance 2023
  • Traumatic Dis-appearances: That Which Refuses to Disappear
  • Performing (In)Visibility
  • Mirrors of Trauma: three entangled stories (The Myth of Justice)
  • WHOSE Funeral – the Immersive Performance
  • Additional Resources
  • Contributors
  • Powered by Tome

Recent Posts

  • Class 9 Kindred/Unpayable Debt Response:Delicia Alarcon: “what’s the cost of a limb for freedom?”
  • Nadia – Herman & van der Kolk
  • Nadia Response – Freud & Caruth
  • Light in the Dark – Luz en lo Oscuro
  • How Societies Remember and The Generation of Postmemory

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  • Week 11
Posted on November 12, 2023November 20, 2023

Reading Response for 11/13 – Jean

Posted on November 12, 2023November 20, 2023 by ching


cyh371@nyu.edu The assigned materials this week have given me a general understanding of performance art and how performance art can be highly connected to politics. The Guatemalan artist Regina Galindo, whose work is focused on in this week’s materials, can be said to mainly develop her art pieces from the colonized history of Latin America. […]

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